• 29Aug

    Some paintings I’ve done over the last three weeks. They are all painted on bristol board unless otherwise stated. If you want to purchase any of them it is $150 unframed, or $250 with a glass picture frame. Prices on all other ones will be stated below. FUCK YAH…

    Send all purchase inquiries to hart@tawdryproductions.com

    EXCELSIOR FATHEAD.

    JACKIE ONASSIXXXX.

    MONGOLOIDS UNITE.

    MATING SEASON.

    MOVE IT SLAVE.

    FAYDRA.

    THE SCREAMING TWINZZ.

    YOU ARE MINE TO KILL.

    CANCER, YOU GOT IT. AKA. CHECK THAT TIT.

    POLIO.

    SPINA BIFIDA.

    WAYNEO.

    KLAUS KINSKI.

    LICE.

    YOKO.

    TOTO.

    STEVE’S E GO GO GO.

    WAYNE’S BROTHER RAY.

    THAT’S MOTHER FUCKING IRRELIVENT.

    ELEPHANT DICKS.

    THAT WILL BE MEOWTEEN DOLLARS AND A WOOF PLEASE.

    THE PROFESSOR.

    MEET YOUR NEW GYNOCOLOGIST.

    The following two paintings are on stretched canvas measuring 20 inches by 20 inches. $150 each.

    THE BISHOP.

    EGGS.

    The following three are on wood.

    ANATOMY OF A PYGMIE. $300.  4 and a half feet tall.  1.5 ft wide.  On Wood.

    BELLY RUB. $250.  4 and a half feet tall.  1.25 feet wide.  Chipboard.

    NO NECK TWO HEADS THREE BACKS. $500.  4.5 ft by 4.5 ft.  On wood.

  • 28Aug

    The world is a better place. Olive. Valerie. Clarke.

  • 28Aug
    Categories: WASTED Comments: 0

    Found this old song…..love it…..like I love my liver……thats fucking freestyle MOTHERFUCKERRRRRRRRRRRRKKKKKKKKKKKKKKKNIGGGGAAAAAZZZZZZZGGGGAAHHHHHhhalskdhflkasdjfolasjdfoa;sjdfoasjdfoasjdfoiajsdfoasdfoijasmdoifjasldjfwaef.

    TRUE LOVE.

    Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

  • 26Aug

    Below, an interview from an art magazine I bought recently profiling a John Waters art show and promoting his new book role models (A book where he discusses his role models, from anti-fashion fashion designers, Baltimore legends, Little Richard and his moustache, A Manson girl, contemporary art and outsider porn among other things.) Below are the photos from his art show and a few parts from the interview where he talks about the art (the rest of the interview is focused on the role models book, which is good, but it serves no purpose showing dialogue discussing parts of the book without any reference. So I won’t do it!)

    INTERVIEWER (italics): I had to laugh at my mom, who walked through your show’s opening a few times last night, eavesdropping on what people were saying. She loved hearing a woman waxing philosophically on one of the stills from pecker about what it was and what it really meant. Mom thought, “You idiot, it’s a picture of a light socket from a film set.”

    JOHN WATERS (bold): It is, but it’s for the crew. It’s art for the crew. It’s noticing something that no one else notices and photographing it. It isn’t the normal things people would take a picture of if they were on a movie set. They want to take picture of the actors or of the cameras. They don’t want the tiny little details that only the crew has to care about or notice. I did another series where I photographed the marks that the actors had to hit with their feet. I’ve shown them before, which was the only thing that can’t be in a movie still. It’s art that only the crew sees; it’s clutter, teeny little still life that no one would notice on a movie set.

    In rewatching Pecker, I especially loved the part, with regards to art and noticing things, of Shelly (Christina Ricci) saying to Pecker (Edward Furlong), “You’re crazy, you see art when there’s nothing there!” Has that been a blueprint for your life?

    Art is exactly when there’s nothing there and only you can see it. Art’s magic. If you go to art galleries all day and you really learn to see, when you walk home, at least for a couple hours, you’ll see something on the street that will remind you of art. It fades; you have to go back to galleries. But then everything you see will look like art, if you learn to not have contempt about what contemporary art asks you to do, which is usually see things that regular people can’t. I did a piece once that said, “contemporary art hates you.” It does. It hates you. If you’re the kind that walks in and says, “my kid could do that,’ or ‘that’s ridiculous,’ because you aren’t giving it a chance, because you aren’t seeing it in a different way. If you can’t see it in a different way, it hates you. You have to stop, and not have contempt before investigation, which most people have about contemporary art as they walk through the door of a gallery. That’s why galleries don’t care if they’re in out of the way neighborhoods; they don’t want people to walk in off the street, because they will hate it. They want people that want to go there; that’s why Chelsea started.

    …………

    I have a studio. And in my studio is certainly every little thing that can give me ideas. I’ve had the roach things for a long time and I”ve had rats and roaches in my movies. “Decorative” is sometimes the meanest word you can use in art, a real no-no, I did the roach stuff to keep decorators, or the kind that buy art to match the furniture or to put over the sofa, away. Although, my art would fit over the sofa because it’s long and thin, so it’s a joke! I don’t know how many people want to hang the The Process, the giant, scary one of someone who worships Christ and the devil over their sofa, though. That’s what I like’ it might be sofa sized, but not sofa-subject appropriate.

    The first Christmas ornament I put on my tree every year is your “Seasons Greetings, John Waters” plastic roach in the clear ornament ball………WIth the “Passion of Audrey Hepburn” and ‘Product Placement’ in particular, you’re manipulating pictures of icons. Are you worried that Audrey Hepburn’s ghost is going to be irritated that you reinvented her with hickeys all over her neck?

    No, because she has the most famous neck in the world. If you really like to give hickeys, wouldn’t she be the most ideal person to give hickeys to? She’s so famous, she’s so iconic, she lived in Switzerland, and she had a sense of humor. It’s parodying an image that’s almost sacred, which I do a lot.

    You’re definitely the most impeccably scheduled, hardest working person I know. I’ve said in the past that I need to be a little bit more structured like you to get more work finished in my own life. Do your habits come out of something instilled by your parents? Or Catholic school? Or is it what works for you to get everything in that’s needed for your day?

    Not Catholic school. I went to private grade school, public junior high school, and Catholic high school. My Father, I think, probably instilled it in me. I look back and think, how did I make those early movies? I took LSD all the time, I went out every night. How did I do them? I don’ remember! Did I go to sleep the night before? But nowadays I’m very organized. Sunday to Thursday I don’t go out, certainly, I even schedule a hangover three nights in advance.

    Reading about the bars of Baltimore in the book made me want to go to Baltimore, if just for them.

    You can get beat up at those bars. I wouldn’t advise just walking in.

    When you’re in SF or New York, do you do a similar bar night?

    In NYC I can’t find bars like that. If they’re biker bars, they’re fashion biker bars. If they’re hillbilly bars, it’s hipsters dressed as hillbillies. There are other bars I do go to, yes. The difference is that the next morning there are pictures of me online, posted on blogs that I don’t even know are being taken. That doesn’t happen in Baltimore.

  • 17Aug

    “In full knowledge of impending doom the excesses become increasingly bizarre.” Tinto Brass.

    Your average Italian is one stricken with foolish bravado.  An ego passed down, and eagerly adorned with little in the way of justification or explanation.  Like a trust fund child on main street with a platinum credit card in her left hand and a flopping tit in her right.  Above the law and full of drugs I could only dream of at 3am on this dull Monday night nearing the last sip of this tall can of Old Milwaukee.

    That italian fiend, so commonly in love with it’s “roots” as to become oblivious to the fact that it is simply one in a row of withered weeds growing off in the distant shadow of the great rotting decaying tree of deceit and lies it calls its golden heritage.  The sun has set my Nimrod friend.  The devils can hide in the burning fires of the light.  But in the dark the reptile spawn will shine and smoke like a doberman orgy fueled by lightning.  Tits like Halley’s comet, Puss like lakes of fire and dicks like Tesla Coils from hell…No cover under the extending Universe tonight old chum.  Take heed, the stomach of the shark is your destiny, it is what you deserve.

    But sometimes a golden creature looms out of the ash stained mist.  A true visionary.  Of course, I speak of Tinto Brass.  The famed Italian director.  Creator of such legendary titles as: Do It!, The Artful Penetration of Barbara and Nunsploitation.

    Pay no heed to my prejudice and wallow in Tinto’s wisdom.

    “A face can lie, a derriére cannot …A face can be painted over with make-up, conceal its age or impurities; a mouth can spew cruel lies. A butt is definitely more honest than that.”

    They call him Tinto Ass.

  • 14Aug

    It was only a matter of time.  I’ve decided to start modelling.  My first shoot went perfect.  My mom took the photos.  The prints have been sent out to all the top agencies.  Calvin keeps leaving me messages.  I don’t like the direction he’s going in though.  Needs more tits, that’s what I say.

    It was only a matter of time, anyone with eyes and vision would tell you that.  I’ve conquered everything else.  In grade four I got perfect on a science test,  So it stands, I know all things science related.  That means I have been to space.  I drank blood on the moon, and hissed with martians at a long legged sea women on Neptune.  I drank her blood too, and let the martians have their way with her corpse.  When it comes to anything Science related I am perfect.  I’ve conquered it all.  Art, Politics, Nature, Love.   In any crowded room you can hear the hushed murmurs of the man that caused the hundred year orgasm.  I am that man.

    I have time travelled.  The images in my mind are so vivid, if I even to choose reminisce my slightest action will change the present.  Even as you read this I am shifting reality.  The whole paragraph before this was something completely different moments ago.  A rant, about Oprah, a dog with a large erect penis that shot torpedoes and comparisons to the Ape family.  That may sound strange, but in that time racism did not exist.  This was a novel idea.  But I’ve brought it back, I need it for my humour.

    Within seconds of deciding to model I was put in a video shoot.  True, I am simply walking by in the background, uninvited.  But the video shoot as you understand it has been changed forever.

    I intend to change the face of modelling entirely.  A revolution is at hand.  This isn’t something that is going to happen over night.  It will take two weeks at least.  I have to go now, the jet is waiting out side.

  • 14Aug

    PANTHER PISS.

  • 14Aug

    I’ve been using my mothers digital camera the last couple of days. That’s all there is to it.

  • 06Aug

    Excerpts from The Western Lands written by: William S Burroughs.

    -                                         -                                                -                                   -

    A Kansas vet known as Joe Lazarus was the instrument of altered destiny.  He had been kicked in the head by a mule and pronounced dead at Lawrence Memorial Hospital, but was returned to life.  Like Saint Paul, knocked off his ass on the road to Damascus, after his miraculous recovery, Joe Laz knew what he had to do.

    He set out to produce a fertile mule.  He exposed horse and donkey sperm to orgone radiation in a magnetized pyramid, and inseminated the mare-didn’t hack it.  So Laz went further: he rigged a magnetized stall and bombarded the copulating animals with DOR-Deadly Orgone Radiation.  He sewed himself into a goat skin and whipped his beasts to wild Pan music-any woman hit by the Goat God’s whip will conceive-and finally he created a fertile mule.

    Skeptics pronounced Joe Laz’s mule the most colossal hoax since the Piltdown Man.

    “I had it up my sleeve,” Joe deadpanned.

    -                                         -                                                -                                   -

    As the doctor surmised, Joe’s blind left eye was not blind.  Joe had devised an artificial eye, wired into the optic center, that presented his mind with pictures, often quite at variance with the reports of the right eye.  This was especially noticeable when he looked at human and animal subjects, and he came to realize wo what extent that which we see is conditioned by what we expect to see-that is, by a habitual scanning pattern, whereas the artificial eye had no scanning pattern.  The lens was fixed and Joe had to direct it by movements of his head.  On the other hand, the lens could be adjusted to a wide angle, which greatly extended the range of his peripheral vision.  He found that he could read motives and expressions with great precision by comparing the data of the good eye, which was picking up what someone wants to project, and the data of the synthetic eye.  Sometimes the difference in expression was so grotesque that he was surprised it was not immediately apparent to anyone.

    -                                         -                                                -                                   -

    On building McDonald’s and Hilton hotels in the the last great Rainforest.

    He can see it already.  The jungle Hilton’s…”When Orchids Bloom in the Moonlight” on the Muzak…the bar, with orchids and a tank against one wall full of piranha fish.  The management throws in live goldfish and pieces of raw meat.

    The motels and souvenir shops and hamburger joints, drunken Indians, polluted rivers, the gritty bite of diesel fumes.  In front of the Manaos Opera House, tourists pose with a boa constrictor.

    Terrible scandal: a big pop star, in a jealous rage fueled by cocaine, grabbed his girlfriend’s Yorkshire terrier and threw it into the piranha tank.  As the piranhas attacked the floundering dog, the hysterical starlet threw a heavy bronze ashtray which shattered the tank, spilling snapping fish and bloody water across the patrons as the disemboweled, screaming dog dragged its intestines across the floor.  Quite a scene it was, and of course there were plenty of camera to capture this edifying spectacle for posterity and export.  It’s the little touches that make a future solid enough to be destroyed.

    -                                         -                                                -                                   -

    The only way forward is through a hybrid being.

    The Zoo Team plunges into an orgy of outlandish operations on the animal subjects…hearts, kidneys, lungs, livers, appendixes are exchanged in the operating room where often six operations are underway, the surgeons passing organs and instruments back and forth, slipping on the bloody floor.  Brains are slopped from one pan to another like scrambled eggs.

    “Move over!  I got a pregnant wart hog here.”

    Each day, stretchers loaded with patched-together animal cadavers are carted off for autopsy, and some to Recovery.  It is surprising that the animal subjects were able to exhibit any behavior for study after such surgery, but some of them were able to walk, bark, howl and snarl.

    There were no meows, since Joe would have no cats in the Zoo, nor any raccoons, skunks, minks, foxes, lemurs or any creature with a high cuteness rating.  He did not want even want to contemplate or describe dubious surgery on these creatures, mute evidence that at one time a Creator with skilled, delicate and loving fingers drew breath on planet Earth, before the bad animal, Man, put an end to creation and so brought the evolutionary process to a halt.

    For Man in indeed the final product.  Not because homo sap is the apogee of perfection, before which God himself gasps in awe-”I can do nothing more!”-but because Man is an unsuccessful experiment, caught in a biologic dead end and inexorably headed for extinction.

    “All right, boys, let’s cut our way to freedom.”

    The hybrid concept underlies all relations between man and other animals, since only a being partaking of both man and animal can mediate between two species.

    -                                         -                                                -                                   -

    So in his pride of prowling healers, the runty, ugly, half-impotent pathologist finds a big surgeon humping his old lady.  So he frames the adulterous surgeon for prostate cancer and everybody knows there is only one cure.  The surgeon is castrated and his nuts sent down to Pathology.  Holding the nuts of his enemy in his hand gets him hot and he surprises his wife with a real pimp fuck.  He’s got another surprise for her: as she comes, he shoves the severed nuts down her throat.  As the Germans say, unappetitlich.

  • 06Aug

    A Woody Allen interview from the seventies. It’s four parts, but I’m only posting the first part, if you want more you can find the rest. It’s funny, but an hour is a bit much.  Ayyyyyyyyyyyyyye.